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Authoritarian populism | Populist authoritarianism
In Brexit and the election of Donald Trump we have witnessed the rise of authoritarian populism. Across the Atlantic, appeals to the people are being made in the name of law and order, race and nation. Trump, Nigel Farage and Boris Johnson are not alone. In continental Europe, Marine Le Pen, Viktor Orbán, Geert Wilders and the Flemish national party, Vlaams Belang also suture individuals’ dissatisfaction with neoliberalism with racial, nationalist and authoritarian allures. While moments such as Brexit provide a lens through which authoritarian populism becomes apparent, there is a risk that over-attention to its spectacle will detract from wider analysis of the problem at hand. Certainly, Farage and Johnson did not come out of thin air. Rather, they are the product of history and social context. As they took to the stage, their positions were already constituted in popular culture. Architecture and urban development provide an important access point for this discussion. Key indicators of dominant culture, they offer incubators for the forms of populist authoritarianism so prominently observed. Newham’s Arc of Opportunity is a case in point. Here, in the regeneration of Stratford Town, Canning Town, Custom House and the Royal Docks we see authoritarianism fabricated in glass, grass and concrete, and we see this done in the name of the masses.
History
Publication status
- Published
File Version
- Accepted version
Publisher
Repeater BooksPage range
291-306Book title
Regeneration songs: sounds of investment and loss in East LondonPlace of publication
LondonISBN
978-1912248230Department affiliated with
- Media and Film Publications
Research groups affiliated with
- Sussex Centre for Cultural Studies Publications
Full text available
- No
Peer reviewed?
- No