University of Sussex
Browse

Design and fashion: Procrustean metaphors in intellectual property law

chapter
posted on 2025-03-12, 12:20 authored by Uma Suthersanen, Maria FrabboniMaria Frabboni
The call for a definition of the regulation of fashion design develops from multiple influences and theories which interpret expressions and contributions communicated by designers, investors, trend-setters, observers, consumers and many others. For each participant, there could be a different definition of fashion design. Conversely, legal metaphors for fashion often do not reflect its variety, diversity and evolution as conveyed through the experience of apparel and accessories by stakeholders. This chapter challenges the current justifications and paradigms that apply to design law for fashion. It does so by way of an analysis of legal disputes emerging from disruptive societal and technological changes affecting the market and value of goods and services within the relevant industry. The chapter questions and rephrases the notions of scarcity and authenticity associated with exclusive intellectual property rights systems. It proposes that any legal recognition of fashion design should effectively accommodate a rigorous understanding of non-conscious design as experienced by creators, audiences and consumers.

History

Publication status

  • Published

File Version

  • Accepted version

Publisher

OUP

Book title

The Handbook of Fashion Law

Place of publication

Oxford, UK

ISBN

9780198938897

Department affiliated with

  • Law Publications

Institution

University of Sussex

Editors

Rosati E; Calboli I

Usage metrics

    University of Sussex (Publications)

    Categories

    No categories selected

    Exports

    RefWorks
    BibTeX
    Ref. manager
    Endnote
    DataCite
    NLM
    DC