This paper reports on an interactive and interconnected music ensemble from the perspective of the interface. More specifically it aims to canvass the dynamic relationships established within the Brain Dead Ensemble. It describes how the reconfigured relationships between performers and instruments are inherent to this ensemble from a technical point of view. In addition, it aims to survey the phenomenological aspect of the relationships established between the performers of this ensemble and how these relationships suggest the possibility of an ensemble itself conceived as interface.
History
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Published
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Published version
Journal
Proceedings: ICLI 2018, 4th International Conference on Live Interfaces. Inspiration, Performance, Emancipation.