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journal contributionposted on 2023-06-08, 05:33 authored by Adriana Bontea
By taking into account those operations of modernity initiated by Stendhal and Czanne, Manet and Proust, which were continued by Merleau-Ponty and Lvi-Strauss, this paper considers Claude Imberts writings from the perspective of the formative role that literature and painting had and still have in mapping a new rationality. The aim is to show how the philosopher reintegrates such priceless experiences, captured by peculiar literary forms, syntagms, and juxtaposition of genres or pictorial manners, into a conceptual and stylistic invention affecting the very core of philosophical activity.
PublisherEdinburgh University Press
Department affiliated with
- English Publications
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