Experiment 3 in PhD Study: IM-Medea: Posthumanism and Remediation in Music Theatre
Posted on 2019-02-18 - 18:16 authored by Athanasios Polymeneas-Liontiris
—Digital Appendix / Documentation of the PhD Study: IM-Medea: Posthumanism and Remediation in Music Theatre.—
The third experiment took place during Thanos Polymeneas Liontiris artist residency at Blast Theory. The residency concluded with an audience interactive/immersive music theatre performance, that had scenes. The performance was entitled 'Im•Medea' and was based on Heiner Müller's: Despoiled Shore and Landscape with Argonauts. For more information regarding the performance and its scope please read Thesis' chapter section 6.1.
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Polymeneas-Liontiris, Athanasios (2019). Experiment 3 in PhD Study: IM-Medea: Posthumanism and Remediation in Music Theatre. University of Sussex. Collection. https://doi.org/10.25377/sussex.c.4372985.v1
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AUTHORS (1)
- APAthanasios Polymeneas-Liontiris
KEYWORDS
Experiment 2documentationdatacodeIm-MedeaLandscape with ArgonautsDespoiled ShoreHeiner Mülleraudience interactive immersive music theatreextended performance ecosystemscybernetic performanceIm-Medea: Posthumanism and Remediation in Music TheatreArtPerformance and Installation ArtElectronic Media ArtPerforming ArtsStudies in the Creative Arts and Writing not elsewhere classifiedArt history, theory and criticism not elsewhere classifiedPerformance artDigital and electronic media artPerforming arts not elsewhere classifiedOther creative arts and writing not elsewhere classified