Experiment 6 in PhD Study: IM-Medea: Posthumanism and Remediation in Music Theatre
Posted on 2019-02-18 - 18:15 authored by Athanasios Polymeneas-Liontiris
—Digital Appendix / Documentation of the PhD Study: IM-Medea: Posthumanism and Remediation in Music Theatre.—
This is a collection of the material generated during experiment 6 of this study, including some video documentation files of the process and signal/behavioural diagrams
The sixth experiment took place in Kalamata (Greece), as part of the Kalamata International Dance Festival. It was an audience interactive/immersive music theatre performance that took place in public busses. The title of this performance was 'The impostor's syndrome'. For more information regarding the performance and its scope please read Thesis' chapter section 7.2.
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Polymeneas-Liontiris, Athanasios (2019). Experiment 6 in PhD Study: IM-Medea: Posthumanism and Remediation in Music Theatre. University of Sussex. Collection. https://doi.org/10.25377/sussex.c.4372994.v1
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AUTHORS (1)
- APAthanasios Polymeneas-Liontiris
KEYWORDS
Experiment 6documentationdatacodeThe impostor's syndromeaudience interactive immersive music theatreextended performance ecosystemscybernetic performanceIm-Medea: Posthumanism and Remediation in Music TheatreArtPerformance and Installation ArtElectronic Media ArtPerforming ArtsStudies in the Creative Arts and Writing not elsewhere classifiedArt history, theory and criticism not elsewhere classifiedPerformance artDigital and electronic media artPerforming arts not elsewhere classifiedOther creative arts and writing not elsewhere classified