Experiment 9 in PhD Study: IM-Medea: Posthumanism and Remediation in Music Theatre
Posted on 2019-02-18 - 18:15 authored by Athanasios Polymeneas-Liontiris
—Digital Appendix / Documentation of the PhD Study: IM-Medea: Posthumanism and Remediation in Music Theatre.—
The ninth experiment took place in the Attenborough Centre for the Creative Arts, University of Sussex. It was an audience interactive/immersive music theatre performance based on Heiner Müller's work Despoiled Shore / Medea Material / Landscape with Argonauts. The title of this performance was 'A magnificent crossbreeding of protein and tinplate'. For more information regarding the performance and its scope please read Thesis' chapter 9.
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Polymeneas-Liontiris, Athanasios (2019). Experiment 9 in PhD Study: IM-Medea: Posthumanism and Remediation in Music Theatre. University of Sussex. Collection. https://doi.org/10.25377/sussex.c.4373003.v1
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AUTHORS (1)
- APAthanasios Polymeneas-Liontiris
KEYWORDS
Experiment 9DocumentationCodeDataThe Magnificent Crossbreed of Protein and TinplateHeiner MüllerDespoiled Shore Medea Material Landscape with Argonautsaudience interactive immersive music theatreextended performance ecosystemscybernetic performanceIm-Medea: Posthumanism and Remediation in Music TheatreArtPerformance and Installation ArtElectronic Media ArtPerforming ArtsStudies in the Creative Arts and Writing not elsewhere classifiedArt history, theory and criticism not elsewhere classifiedPerformance artDigital and electronic media artPerforming arts not elsewhere classifiedOther creative arts and writing not elsewhere classified