Experiment 9 in PhD Study: IM-Medea: Posthumanism and Remediation in Music Theatre

Polymeneas-Liontiris, Athanasios

Experiment 9 in PhD Study: IM-Medea: Posthumanism and Remediation in Music Theatre

Posted on 2019-02-18 - 18:15 authored by Athanasios Polymeneas-Liontiris

—Digital Appendix / Documentation of the PhD Study: IM-Medea: Posthumanism and Remediation in Music Theatre.—

This is a collection of the material generated during the final experiment (9th) of this study, including some video documentation files of the process, computer code, audience surveys and signal/behavioural diagrams.

The ninth experiment took place in the Attenborough Centre for the Creative Arts, University of Sussex. It was an audience interactive/immersive music theatre performance based on Heiner Müller's work Despoiled Shore / Medea Material / Landscape with Argonauts. The title of this performance was 'A magnificent crossbreeding of protein and tinplate'. For more information regarding the performance and its scope please read Thesis' chapter 9.

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Polymeneas-Liontiris, Athanasios (2019). Experiment 9 in PhD Study: IM-Medea: Posthumanism and Remediation in Music Theatre. University of Sussex. Collection. https://doi.org/10.25377/sussex.c.4373003.v1

https://doi.org/10.25377/sussex.c.4373003.v1

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