Cecile Chevalier
Senior Lecturer in Digital Media Practice (Creative arts and writing; Education; History, heritage and archaeology; Human society; Language, communication and culture; Philosophy and religious studies; Psychology; Information and computing sciences; Sensory systems; Heritage, archive and museum studies; Social and affective neuroscience; Sociology and social studies of science and technology; Affective computing; Collaborative and social computing; Accessible computing; Human-computer interaction; Pervasive computing; Fairness, accountability, transparency, trust and ethics of computer systems; Human-centred computing; Applications in arts and humanities; History and philosophy of engineering and technology; History and philosophy of the humanities; Critical theory; Social and political philosophy; Aesthetics)
Brighton
Publications
- iRemembr: materialising memories
- Listening mirrors: prototyping for a hybrid audio augmented reality installation
- Crafting a critical technical practice
- Remembering to remember: a practice-based study in digital re-appropriation and bodily perception
- 200.104.200.2 (sound art installation & instrument)
- 200.104.200.2 installation art @DesInc
- Perceptual simulations in painting with code
- Memory, relational materialities and the web place
- Listening mirrors 1.0, at Fort Process Sound Art Festival
- Wonder bodies, computational prosthesis, and automated creativity: what is expressing who?
- Share your values! Community-driven embedding of ethics in research
- 200.104.200.2 installation art @Sussex Humanities Lab
- Towards new modes of collective musical expression through audio augmented reality
- Rendezvous: a collaboration between art, research and communities
- Untitled#21 (installation art)
- FACT///.forum review
- Full Stack Feminism and the (Im)Possibility of “Autonomous Feminist Infrastructures”
- 200.104.200.2 Installation art
- FACT///.forum review
- Untitled#21 (installation art)
- FACT///.Mapping feminists coding practices symposium: DIY feminism and creating platforms
- Listening Mirrors 1.0 (sound art installation & instrument)
- 200.104.200.2 installation art @NIME
- What Does Augmented Reality Mean as a Medium of Expression for Computational Artists?
- Intersectional Feminist Revolutions in Digital Humanities: Approaches, Histories, and Methods (Panel)